DaBaby’s Lollapalooza Performance Canceled Following Homophobic Comments

One week after DaBaby delivered homophobic comments onstage at Rolling Loud Miami, Lollapalooza has dropped the rapper from its lineup, just hours before he was supposed to perform at Grant Park in Chicago on Sunday night (Aug. 1).

DaBaby’s Lollapalooza Performance Canceled Following Homophobic Comments

One week after DaBaby delivered homophobic comments onstage at Rolling Loud Miami, Lollapalooza has dropped the rapper from its lineup, just hours before he was supposed to perform at Grant Park in Chicago on Sunday night (Aug. 1).

“Lollapalooza was founded on diversity, inclusivity, respect, and love,” reads a statement from Lollapalooza released on Sunday morning. “With that in mind, DaBaby will no longer be performing at Grant Park tonight.”

Lollapalooza announced that Young Thug, previously scheduled to perform Sunday afternoon, will be bumped up into DaBaby’s scheduled slot on Sunday night. G Herbo will perform in Young Thug’s afternoon slot.

A rep for DaBaby did not immediately reply to request for comment.

When speaking with Billboard at the festival earlier this weekend, founder Perry Farrell spoke of this year’s lineup, saying: “I think there’s no place at Lollapalooza or anywhere else in this world for hatred and for bullying and for ridiculing people. I want to talk for a moment about the gay community, because they’re out in force here in Chicago and they’re fierce and we love them and we support them and we defend them. That’s what I’d like to say.”

DaBaby has been heavily criticized following his Rolling Loud comments, during which he told the crowd, “If you didn’t show up today with HIV, AIDS, or any of them deadly sexually transmitted diseases, that’ll make you die in two to three weeks, then put your cellphone lighter up! Ladies, if your p—y smell like water, put your cellphone lighter up! Fellas, if you ain’t sucking di– in the parking lot, put your cellphone lighter up!”

GLAAD called the comments “inaccurate, hurtful and harmful,” and DaBaby has been criticized by several artists over the past week — including his “Levitating” remix co-star Dua Lipa, who was “surprised and horrified” by his words. DaBaby later described his comments on HIV/AIDS as “insensitive” but defended his words as intended for his Rolling Loud crowd, and not for mass consumption.

Foo Fighters will headline the final night of Lollapalooza, which has also included performances by Post Malone, Miley Cyrus, Tyler, The Creator and Journey, among many others.

Source : Billboard More   

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Post Malone Shines On His Own During Lollapalooza Headline Set: 5 Best Moments

Here were the five best moments from Post Malone’s triumphant Lollapalooza headlining set

Post Malone Shines On His Own During Lollapalooza Headline Set: 5 Best Moments

Post Malone’s Lollapalooza headlining set on Saturday night (July 31) inevitably came with some guest-star intrigue. With so many collaborative hits, the pop-rap superstar was sure to bring out some A-listers, just as Miley Cyrus had done on Thursday night at Grant Park in Chicago. Would Young Thug, slated to perform at Lollapalooza the following day, fly in early for “Goodbyes”? How about Swae Lee for “Sunflower,” or even Ozzy Osbourne for “Take What You Want”?

In the end, Post Malone mostly shrugged off the surprise guests — only Tyla Yaweh, out to perform “Tommy Lee,” joined him onstage — and that was more than okay. Post Malone has developed into such a skilled, magnetic live performer that he was more than enough to enthrall a sprawling crowd on Saturday night, tearing through radio hits and fan favorites with a steady hand and goofy grin.

Here were the five best moments from Post Malone’s triumphant Lollapalooza headlining set:

The Opening “Wow.” Factor

One week ahead of Lollapalooza, Post Malone performed at Rolling Loud Miami and kicked off his set with “Saint-Tropez,” one of the highlights of 2019’s Hollywood’s Bleeding. That’s a fine set-starter, but “Wow.,” which introduced his Lollapalooza performance, was more explosive, all coiled hooks and chest-thumping boasts designed to make an audience turn up to a dizzying degree.

It also helped that Post Malone delivered lines like “I know it piss you off to see me winning” while multiple feet above the main stage: when the curtain dropped to reveal the set, he was positioned on a raised platform, prowling the scaffolding for the opening song. In short, Post Malone’s intro juiced up the crowd following a long day of music-watching, and ensured a Saturday night party.

Those Dance Moves

What a wonderful thing it is to watch Post Malone dance onstage. Anyone who’s been to a Post Malone show knows what to expect at this point: the leg dips, the arm extensions, the cheeky hand motions, the head swivels. There’s a level of grace there, but each unabashed movement often works to encourage his onlookers to do away with inhibition and bust their own respective move. Simply put, the man is usually having the time of his life during his show, and Lollapalooza was no different, with each subtle gesture and wild gyration somehow calibrated for maximum audience enjoyment.

The “Circles” Sing-Along

One of the biggest hits of Post Malone’s career became the biggest belt-out anthem of the festival on Saturday, as “Circles” glittered under the night sky and had thousands crooning along. The Hollywood’s Bleeding smash, as well as “Sunflower,” are currently the most surefire moments of audience participation in a Post Malone set, and he smartly edged them towards opposite ends of his Lollapalooza set list, with “Circles” played fifth and “Sunflower” performed third-to-last. Also: “Circles” is not an easy song to sing, and Post Malone nailed its extended syllables under the bright lights. The rest of us will have to keep working on our karaoke games.

The Victorious New Song

“Motley Crew,” Post Malone’s latest track which was released last month, received its live debut one week earlier at Rolling Loud — and by his second performance of the song, it already sounded like a set list gem. While the studio version of “Motley Crew” resembles a workmanlike, rap-leaning Post Malone album cut, the song sounds electric in concert, with the hooks smacking against the beat and causing collective head-knocking. Listening to “Motley Crew” at Lollapalooza demonstrated why Post Malone’s latest top 20 hit might have legs as a Hot 100 staple, following its No. 13 debut last month; it also suggested that, if the follow-up to Hollywood’s Bleeding hits this hard, the superstar will have another best-seller.

The Genuine Emotion

Post Malone has become so omnipresent in popular music that it’s easy to forget that his debut album is less than five years old. He’s been in the spotlight for a relatively short time, yet here he was closing out Saturday night at Lollapalooza — and even though he’s been headlining arenas for years, the magnitude of the moment, particularly considering the history of Lollapalooza and all the headliners that have come before him, was not lost.

Throughout the performance, but especially over the course of the first few songs, Post Malone appeared moved in front of the adoring crowd, and at a loss for words while staring out across Grant Park. As he explained, part of those feelings could be chalked up to the pandemic and how long it had been since these shows had taken place. But as a Lollapalooza headliner, Post Malone was appreciative of the opportunity — and for the fans who helped turn it into a reality.

Source : Billboard More   

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